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Chapter 26: Edit Modes and Tools 549

To select an entire region with the Selector tool:

Select the Selector tool in the Edit window.

Double-click a region on a track.

To select an entire track with the Selector tool:

Select the Selector tool in the Edit window.

Triple-click in the track.

Making a Timeline Selection with

the Selector Tool

To make a Timeline selection with the Selector

tool:

Select the Selector tool in the Edit window.

Do one of the following:

• Drag on a Timebase ruler.

– or –

• If Link Timeline and Edit Selection is en-

abled, drag in a track.

Using the Grabber Tools

Use the Grabber tools to select, move, separate,

and arrange regions on tracks. There are three

modes for the Grabber tool: Time Grabber, Sep-

aration Grabber, and Object Grabber. For more

information about arranging regions, also see

Chapter 38, “Arranging Regions.”

Time Grabber Selects an entire region on a track

with a single click. For more information on se-

lecting regions, see “Selecting Track Material”

on page 561.

Separation Grabber Cuts and pastes an Edit se-

lection from one location to another by drag-

ging. For more information, see “Separation

Grabber Tool” on page 584.

Object Grabber Lets you select multiple, non-

contiguous regions. For more information, see

“Object Selections” on page 563.

Making a selection with the Selector tool

Time Grabber tool

Separation Grabber tool

Object Grabber tool

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Pro Tools Reference Guide

550

To select one of the Grabber tools, do one of the

following:

Click the Grabber tool in the Edit window and

select the Grabber tool from the pop-up menu.

– or –

Right-click on any track and select the Grab-

ber tool from Tools > Grabber Tools.

Using the Smart Tool

With the Smart Tool, you can instantly access

the Selector, Grabber, and Trimmer tools, and

you can also perform fades and crossfades. The

position of the cursor in relation to a region or

note, or within an automation playlist, deter-

mines how the Smart Tool functions.

To select the Smart Tool, click its icon in the up-

per left of the Edit window, or press F6+F7 (or

F7+F8) simultaneously.

The Smart Tool in Waveform View

(Audio) or Regions View (MIDI)

The following capabilities are available with the

Smart Tool when working with audio tracks in

Waveform or Blocks view, or MIDI or Instru-

ment tracks in Regions view:

For the Selector tool, position the cursor over

the middle of the region, in the upper half of the

region.

For the Grabber tool, position the cursor over

the middle of a region, in the lower half of the

region.

For the Trimmer tool, position the cursor near

the region’s start or end point.

For a fade-in or fade-out, position the cursor

near an audio region’s start or end point, near

the top of the region. Once the Fade cursor ap-

pears, drag into the region to set the fade length.

The fade is created automatically with the De-

fault Fade Settings (in the Editing Preferences

page).

Selecting a Grabber tool

Smart Tool enabled in the Edit window

Smart Tool in Waveform view

Fade-In

Fade-Out

Selector tool

Grabber tool

Trimmer

tool

(start)

Trimmer

tool (end)

Crossfade

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Chapter 26: Edit Modes and Tools 551

For a crossfade, position the cursor between

two adjacent audio regions, near the bottom of

the region. Once the Crossfade cursor appears

drag left or right to set the crossfade length. The

crossfade is created automatically with the De-

fault Fade Settings (in the Editing Preferences

page).

The Smart Tool in Warp View

The following capabilities are available with the

Smart Tool when working with Elastic Audio-

enabled audio tracks in Warp view, or MIDI or

Instrument tracks in Regions view:

For the Selector tool, position the cursor over

the middle of the region, in the upper half of the

region.

For the Grabber tool, position the cursor over

the middle of a region, in the lower half of the

region, but not over an Event marker or Warp

marker.

For Elastic Audio warping, position the cursor

over an Event marker or a Warp marker, in the

lower half of the region (for more information

on warping audio, see “Editing in Warp View”

on page 871).

For the Trimmer tool, position the cursor near

the region’s start or end point, in the upper half

of the region.

The Smart Tool in Notes View

The following capabilities are available with the

Smart Tool when working with MIDI and Instru-

ment tracks in Notes view in the Edit window

and in MIDI Editor windows:

For the Marquee Selector, position the cursor

so it does not cover any notes.

For the Grabber tool, position the cursor over

the note, near its middle.

For the Trimmer tool, position the cursor near

the note start or end point.

To temporarily switch the Smart Tool to the

Scrubber, place the cursor over the region so

that the Selector tool is enabled, then press

Start (Windows) or Control (Mac).

Smart Tool in Warp view

Selector tool

Grabber tool

Trimmer

tool

(start)

Trimmer

tool

(end)

To temporarily switch the Smart Tool to the

Scrubber, place the cursor in the upper half

of the region so that the Selector tool is en-

abled, then press Start (Windows) or Con-

trol (Mac).

Smart Tool in Notes view

Selector tool (marquee)

Grabber tool

Trim note start

Trim note end

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Pro Tools Reference Guide

552

For the Velocity Trimmer tool, position the

cursor over the note and press Control (Win-

dows) or Command (Mac).

The Smart Tool in Automation and

Controller Views

The following capabilities are available with the

Smart Tool when working in both automation

and controller views:

For the Selector tool, position the cursor any-

where in the bottom 75% of the playlist for the

Selector tool. Drag with the Selector tool to se-

lect breakpoints.

For Trimmer tools, position the cursor in the

top 25% of the playlist for the Trimmer tool.

Drag with the Trimmer tool to trim breakpoints.

Press Control (Windows) or Command (Mac)

while trimming for fine control.

For Grabber tools, Control (Windows) or

Command (Mac) for the Grabber tool, then click

in on the automation line to create breakpoints.

To edit existing breakpoints, move the cursor

near a breakpoint for the Grabber tool.

For fine control with the Grabber tool, press

Control (Windows) or Command (Mac)—or

continue to hold the key if you are creating a

new breakpoint.

To vertically constrain Grabber tool movement,

press Shift.

To vertically constrain Grabber tool movement

with fine control, press Control+Shift (Win-

dows) or Command+Shift (Mac).

The Smart Tool with Stereo and

Multichannel Tracks

When using the Smart Tool on stereo and mul-

tichannel tracks, individual channels cannot be

independently edited. All edits affect all chan-

nels as a whole.

Tool switching for the Smart Tool in stereo and

multichannel tracks is determined by the posi-

tion within the entire track, and not within in-

dividual channels.

Using the Scrubber Tool

The Scrubber tool lets you “scrub” up to two

tracks of audio in the Edit Window. Scrubbing is

a technique that originated in tape editing,

where the tape was rocked back and forth past

the playhead at slower than normal speeds to

find a particular location (usually for cutting

and splicing).

Trimming the velocity of a note

To temporarily switch the Smart Tool to

the Pencil tool, press Start (Windows) or

Control (Mac).

To temporarily switch the Smart Tool to

the Eraser, press Alt+Start (Windows) or

Option+Control (Mac).

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Chapter 26: Edit Modes and Tools 553

While viewing an audio waveform in Pro Tools

can be helpful in visually finding an edit point,

sometimes a waveform display (because of its

sonic characteristics) may not reveal the desired

spot in the audio material. By scrubbing back

and forth in Pro Tools, you can listen and locate

an exact edit point.

When the Edit Insertion Follows Scrub/Shuttle

option is enabled in the Operation Preferences

page, the edit cursor automatically locates to the

point where scrubbing stops.

When the Scrolling option is set to Continuous

(Pro Tools HD and Pro Tools with Complete

Production Toolkit 2 only) or Center Playhead

(Pro Tools HD only), clicking with the Scrubber

in a track’s playlist centers the Edit window

around that point, and moves the Playhead

there. With these Scrolling Options, scrubbed

material moves past the Playhead, which re-

mains stationary and centered.

To scrub a single audio track:

Select the Scrubber tool.

Drag within the track: left for reverse or right

for forward.

The distance and speed with which you drag

(with either the mouse, or the scrub wheel on a

control surface) determine the length and speed

of the scrubbed audio. Audio from the scrubbed

track is routed to its output, along with any ef-

fects assigned to the track.

The resolution for the Scrubber is dependent on

the zoom factor for the scrubbed track.

To scrub multiple audio tracks, do one of the

following:

With the Scrubber selected, drag between two

adjacent tracks.

– or –

Scrub within a selection that contains multi-

ple tracks.

When scrubbing multiple tracks, only the first

two tracks are heard.

Scrubbing an audio track with the Scrubber

You can temporarily switch the Selector tool

to the Scrubber tool by Start-clicking (Win-

dows) or Control-clicking (Mac). For finer

resolution, Control-Start-click (Windows)

or Command-Control-click (Mac).

Scrubbing between two audio tracks

The maximum number of channels

scrubbed in Pro Tools is eight, which lets

you scrub a 7.1 track, two stereo tracks (four

channels), but not two 5.1 surround tracks

(12 channels).

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Pro Tools Reference Guide

554

Scrub/Shuttle Mode

When scrubbing normally, you can scrub at nor-

mal playback speeds or slower. Scrub/Shuttle

mode, however, lets you scrub at several times

normal speed, which is helpful in playing

through large ranges and locating material.

To scrub in Shuttle mode (at several times normal

speed):

Select the Scrubber tool.

While pressing Alt (Windows) or Option

(Mac), drag within the track—left for reverse,

right for forward. The Fast Forward and Rewind

buttons in the Transport window engage.

The distance and speed dragged determine the

speed for the scrubbed audio.

Shuttle Lock Mode

Shuttle Lock mode lets you use the numeric key-

pad to shuttle up to two tracks forward or back-

wards at specific speeds: 5 is normal speed, num-

bers from 6 up to 9 provide increasingly faster

fast-forward speeds, and numbers from 4 down

to 1 provide progressively faster rewind speeds

(4 is the slowest rewind Shuttle Lock speed, 1 is

the fastest). If multiple tracks are selected, only

the first two tracks are shuttled.

To play one or two tracks with the shuttle lock:

With Pro Tools HD, make sure the Operation

preference for Numeric Keypad mode is not set

to Shuttle (see “Operation Preferences” on

page 120).

With the Selector tool, click in the track where

you want playback to begin. To shuttle on two

tracks, Shift-click in a second track.

Press the Start key (Windows) or Control

(Mac) and a number on the numeric keypad:

0–9 (9 is fastest, 5 is normal speed, and 0 stops

shuttling).

Once Shuttle Lock mode is initiated, Fast For-

ward and Rewind become highlighted in the

Transport window.

Press additional keys to change the playback

speed, or press Plus (+) or Minus (–) to switch the

playback direction (plus for forward, minus for

backward).

To stop playback, press Start+0 (Windows) or

Control+0 (Mac).

To exit Shuttle Lock mode, do one of the following:

Press Stop in the Transport window.

– or –

Press the Spacebar.

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Chapter 26: Edit Modes and Tools 555

Custom Shuttle Lock Speed

(Pro Tools HD and Pro Tools with Complete

Production Toolkit 2 Only)

Use the Custom Shuttle Lock Speed preference

to customize the highest fast-forward Shuttle

Lock speed (key 9) to better match your editing

and auditioning needs.

To configure Custom Shuttle Lock Speed:

In Pro Tools, select Setup > Preferences and

click the Operation tab.

Be sure that the Numeric Keypad mode is set

to Transport or Classic (see “Operation Prefer-

ences” on page 120).

Enter a percentage for the Custom Shuttle Lock

Speed setting. The range for this setting is

50–800%. You can use the Up and Down Arrow

keys to increase or decrease the setting.

Click OK.

The Custom Shuttle Lock Speed setting is saved

with your Pro Tools system preferences (not

with the session).

To enable Custom Shuttle Lock Speed:

Press Start+9 (Windows) or Control+ 9 (Mac)

on the numeric keypad.

Numeric Keypad Set to

Shuttle

(Pro Tools HD and Pro Tools with Complete

Production Toolkit 2 Only)

Pro Tools offers another form of shuttling, dif-

ferent from that of Shuttle Lock mode. With the

Numeric Keypad mode set to Shuttle, playback

of the current Edit selection is triggered by press-

ing and holding the keys on the numeric key-

pad—playback stops once the keys are released.

Various playback speeds are available in both

forward and reverse. In this mode, pre- and post-

roll are ignored.

To shuttle with the Numeric Keypad mode set to

Shuttle:

Choose Setup > Preferences and click the Oper-

ation tab.

Set the Numeric Keypad mode to Shuttle and

click OK.

With the Selector tool, click in the track where

you want playback to begin. To shuttle on two

tracks, Shift-click in a second track.

Press and hold any of the following keys (or

key combinations) on the numeric keypad to

trigger playback.

Press a different key to switch the playback di-

rection or speed. Release to stop.

Shuttle Speed

Rewind Key

Forward Key

1 X Speed

4 X Speed

1/4 X Speed

1/2 X Speed

4+5

5+6

2 X Speed

7+8

8+9

Pro Tools Reference Guide

556

Using the Pencil Tool

The Pencil tool lets you draw several types of

Pro Tools data:

• audio waveforms (see “Waveform Repair

with the Pencil Tool” on page 556)

• MIDI data (see “Using the Pencil Tool” on

page 664)

• tempo changes (see “Editing Tempo Events

in the Tempo Editor” on page 763)

• automation (see “Drawing Automation” on

page 1027).

Waveform Repair with the Pencil

Tool

On audio tracks, the Pencil tool lets you destruc-

tively “redraw” waveform data. This tool is most

commonly used to repair a pop or click in an au-

dio file. A pop or click appears as a sudden sharp

spike in a waveform. This tool only becomes ac-

tive when the Edit window is zoomed in to the

sample level.

Although you can Undo a Pencil tool edit, it is

recommended that you create a backup copy of

the target audio before using the Pencil tool.

You can do this by using the AudioSuite Dupli-

cate plug-in.

To destructively edit an audio waveform with the

Pencil tool:

Locate the area you want to edit.

Using the Zoomer tool or the Zoom buttons,

zoom down to the sample level so the waveform

appears as a continuous thin line. Adjust the

Track Height, as necessary, to edit the waveform

with greater precision. You can also use vertical

zoom for greater visual resolution.

Select the Pencil tool.

Carefully draw with the Pencil tool by drag-

ging over the area of the waveform.

Do not over-edit or the results may be undesir-

able. However, you can use the Undo command

to undo your previous edit.

The Pencil tool can independently edit different

channels of a multichannel track.

Try to limit editing to smoothing over a very

small problem area, and keep the “fixes” in char-

acter with the shape of the surrounding wave-

form.

The Pencil tool is a destructive editing tool

that permanently modifies the audio file on

disk and should be used with caution.

For information about the AudioSuite

Duplicate plug-in, see the Audio Plug-Ins

Guide.

You can recall zoom levels with the Zoom

Preset buttons (see “Zooming Options” on

page 532), or with Memory Locations (see

“Recalling Memory Locations” on

page 798). The default setting for Zoom

Preset 5 is at the sample level for Pencil ed-

iting.

Pencil tool

Repairing a “pop” with the Pencil tool

Chapter 26: Edit Modes and Tools 557

Edit/Tool Mode Keyboard

Lock

Enable Options > Edit/Tool Mode Keyboard Lock to

lock the currently selected Edit Tools (Zoom,

Trim, Grabber, and Pencil only) in place and

prevent them from being inadvertently changed

when using keyboard shortcuts. However, even

when Edit/Tool Mode Keyboard Lock is enabled,

Edit Tool types can still be changed using the

mouse or by using the Right-click menu. You

can also switch between tools (such as switching

from the Grabber to the Trimmer) using key-

board shortcuts.

To lock (or unlock) the current Edit Tool modes:

Select the Edit Tool modes you want (such as

the Standard Trim tool, Time Grabber tool, and

the Free Hand Pencil tool).

Select (or deselect) Options > Edit/Tool Mode

Keyboard Lock.

Pro Tools Reference Guide

558

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