23
play this American Mate Dance in Black
Widow drag and I could make my face flap
around you wouldn’t believe it and the noises
I made in uh orgasm when SHE ate me—I
played both parts you unnerstand, imitated
the Goddess Herself and turn right into
stone for security. . . . And SHE couldn’t give
me enough juice running out of this hole was
her only orifice and she was transported dais
and all, die ass and all, by blind uniques with
no balls, had to crawl under HER dais
dressed in Centipede Suit of the Bearer
which was put on them as a great honor and
they was always fighting over matters of
crawl protocol or protocrawl . . .
“So all these boys stacked to the ceiling
covered with limestone . . . you understand
they weren’t dead anymore than a fresh
oyster is dead, but died in the moment when
the shell was cracked and they were eaten all
quivering sweet and tasty. Vitamins the right
way . . . eaten with little jeweled adzes jade
681/1780
22
and sapphires and chicken blood rubies all
really magnificent. Of course I pinched
everything I could latch onto with my pre-
hensile piles I learned it boosting in Chi to
pay the Luxury Tax on C. Three thousand
years in show business. . . . Later or was it
earlier, the Mayan Calendar is all loused up
you know. . . . I was a star Corn God inna
Sacred Hanging Ceremony to fructify the
Corn devised by this impresario who special-
izes in these far out bit parts which fit me
like a condom, he says the cutest things. He’s
a doctor too. A big physician made my face
over after ‘the accident’ collided with my
Bentley head on . . . the cops say they never
see anything so intense and it is a special
pass I must be carrying I wasn’t completely
obliterated.
“Oh there’s my doctor made the face over
after my accident. He calls me Pygmalion
now, isn’t that cute? You’ll love him.”
682/1780
23
The doctor was sitting in a surgical chair of
gleaming nickel. His soft boneless head was
covered with grey green fuzz, the right side of
his face an inch lower than the left side
swollen smooth as a boil around a dead, cold
undersea eye.
“Doctor, I want you to meet my friend
Mister D the Agent, and he’s a lovely fellow
too.”
(“Some time he don’t hardly hear what you
saying. He’s very technical.”)
The doctor reached out his abbreviated
fibrous fingers in which surgical instruments
caught neon and cut Johnny’s face into frag-
ments of light.
“Jelly,” the doctor said, liquid gurgles
through his hardened purple gums. His
tongue was split and the two sections curled
over each other as he talked: “Life jelly. It
sticks and grows on you like Johnny.”
Little papules of tissue were embedded in
the doctor’s hands. The doctor pulled a
683/1780
23
scalpel out of Johnny’s ear and trimmed the
papules into an ash tray where they stirred
slowly exuding a green juice.
“They say his prick didn’t synchronize at
all so he cut it off and made some kinda aw-
ful cunt between the two sides of him. He got
a whole ward full of his ‘fans’ he call them
already. When the wind is right you can hear
them scream in Town Hall Square. And
everybody says ‘But this is interesting.’
“I was more physical before my accident,
you can see from this interesting picture.”
Lee looked from the picture to the face,
saw the flickering phosphorescent scars—
“Yes,” he said, “I know you—You’re dead
nada walking around visible.”
So the boy is rebuilt and gives me the eye
and there he is again walking around some
day later across the street and “No dice”
flickered across his face—The copy there is a
different being, something ready to slip
in—boys empty and banal as sunlight her
684/1780
26
way always—So he is exact replica is he
not?—empty space of the original—
So I tailed the double to London on the
Hook Von Holland and caught him out
strangling a naked faggot in the bed sitter—I
slip on the antibiotic hand cuffs and we ad-
journ to the Mandrake Club for an informat-
ive little chat—
“What do you get out of this?” I ask
bluntly.
“A smell I always feel when their eyes pop
out”—The boy looked at me his mouth a little
open showing the whitest teeth this Private
Eye ever saw—naval uniform buttoned in the
wrong holes quilted with sea mist and
powder smoke, smell of chlorine, rum and
moldy jockstraps—and probably a narcotics
agent is hiding in the spare stateroom that is
always locked—There are the stairs to the at-
tic room he looked out of and his mother
moving
around—dead
she
was they
say—dead—with such hair too—red.
685/1780
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23
“Where do you feel it?” I prodded.
“All over,” he said, eyes empty and banal
as sunlight—“Like hair sprouting all over
me”—He squirmed and giggled and creamed
in his dry goods—
“And after every job I get to see the
movies—You know—” And he gave me the
sign twisting his head to the left and up—
So I gave him the sign back and the words
jumped in my throat all there like and ready
the way they always do when I’m right. “You
make the pilgrimage?”
“Yes—The road to Rome.”
I withdrew the antibiotics and left him
there with that dreamy little-boy look twist-
ing the napkin into a hangman’s knot—On
the bus from the air terminal a thin grey man
sat down beside me—I offered him a cigar-
ette and he said “Have one of mine,” and I
see he is throwing the tin on me—“Nova po-
lice—You are Mr. Snide I believe.” And he
moved right in and shook me down looking
686/1780
25
at pictures, reading letters checking back on
my time track.
“There’s one of them,” I heard some one
say as he looked at a photo in my files.
“Hummm—yes—and
here’s
anoth-
er—Thank you Mr. Snide—You have been
most cooperative—”
Istopped off in Bologna to look up my old
friend Green Tony thinking he could prob-
ably give me a line—up four flights in a tene-
ment past the old bitch selling black-market
cigarettes and cocaine cut with Saniflush,
through a dirty brown curtain and there is
Green Tony in a pad with Chinese jade all
over and Etruscan cuspidors—He is sitting
back with his leg thrown over an Egyptian
throne smoking a cigarette in a carved emer-
ald holder—He doesn’t get up but he says:
“Dick Tracy in the flesh,” and motions to a
Babylonian couch.
I told him what I was after and his face
went a bright green with rage. “That stupid
687/1780
23
bitch—She bringa the heat on all of us—Nova
heat—” He blew a cloud of smoke and it hung
there solid in front of him—Then he wrote an
address in the smoke—“No. 88 Via di Nile,
Roma.”
This 88 Nile turned out to be one of those
bar-soda fountains like they have in
Rome—You are subject to find a maraschino
cherry in your dry martini and right next to
some citizen is sucking a banana split disgust
you to see it—Well I am sitting there trying
not to see it so I look down at the far end of
the counter and dug a boy very dark with
kinky hair and I give him the sign—And he
gives it right back—So I spit the maraschino
cherry in the bartender’s face and slip him a
big tip and he says “Rivideci and bigger.”
And I say “Up yours with a double straw-
berry phosphate.”
The boy finishes his Pink Lady and follows
me out and I take him back to my trap and
right away get into an argument with the
688/1780
27
clerk about no visitors stranezza to the
hotel—Enough garlic on his breath to deter a
covey of vampires—I shove a handful of lire
into his mouth “Go buy yourself some more
gold teeth,” I told him—
When this boy peeled off the dry goods he
gives off a slow stink like a thawing
mummy—But his asshole sucked me right in,
all my experience as a Private Eye never felt
anything like it—In the flash bulb of orgasm
I see that fucking clerk has stuck his head
through the transom for a refill—Well ex-
pense account—The boy is lying there on the
bed spreading out like a jelly slow tremors
running through it and sighs and says: “Al-
most like the real thing isn’t it?”
And I said “I need the time milking,” and
give him the sign so heavy come near slip-
ping a disk.
“I can see you’re one of our own,” he said
warmly
sucking
himself
back
into
shape—“Dinner at eight”—He comes back at
689/1780
23
eight in a souped up Ragazzi and we take off
160 per and scream to stop in front of a villa
Ican see the Bentleys and Hispano Bear Cats
and Stutz Suisses and what not piled up and
all the golden youth of Europe is disembark-
ing—“Leave your clothes in the vestibule,”
the butler tells us and we walk in on a room
full of people all naked to a turn sitting
around on silk stools and a bar with a pink
shell behind it—This cunt undulates forward
and give me the sign and holds out her hand
“I am the Contessa di Vile your hostess for
tonight”—She points to the boys at the bar
with her cigarette holder and their cocks
jumped up one after the other—And I did the
polite thing too when my turn came—
So all the boys began chanting in unison “
The movies!—The movies!—We want the
movies!—” So she led the way into the pro-
jection room which was filled with pink light
seeping through the walls and floor and ceil-
ing—The boy was explaining to me that these
690/1780
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