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audience chamber—Others carry photo-col-
lage banners and TV screens flickering their
claims—Willy’s attorneys served the neces-
sary low pressure processes and The Con-
trollers were sucked into the audience cham-
ber for The First Hearing—Green People in
limestone calm—Remote green contempt for
all feelings and proclivities of the animal
host they had invaded with inexorable moves
of Time-Virus-Birth-Death—With their dis-
eases and orgasm drugs and their sexless
parasite life forms—Heavy Metal People of
Uranus wrapped in cool blue mist of vapor-
ized bank notes—And The Insect People of
Minraud with metal music—Cold insect
brains and their agents like white hot buzz
saws sharpened in the Ovens—The judge,
many light years away from possibility of
corruption, grey and calm with inflexible au-
thority reads the brief—He appears some-
times as a slim young man in short sleeves
then middle-aged and redfaced sometimes
841/1780
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very old like yellow ivory “My God what a
mess”—he said at last—“Quiet all of
you—You all understand I hope what is
meant by biologic mediation—This means
that the mediating life forms must simultan-
eously lay aside all defenses and all
weapons—it comes to the same thing—and
all connection with retrospective controllers
under space conditions merge into a single
being which may or may not be successful—”
He glanced at the brief—“It would seem that
The Uranians represented by the plain tiff
Uranian Willy and The Green People repres-
ented by Ali Juan Chapultepec are prepared
to mediate—Will these two uh personalities
please stand forward—Bueno—I expect that
both of you would hesitate if you could
see—Fortunately you have not been uh over-
briefed—You must of course surrender all
your weapons and we will proceed with
whatever remains—Guards—Take them to
the disinfection chambers and then to The
842/1780
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Biologic Laboratories”—He turned to The
Controllers—“I hope they have been well
prepared—I don’t need to tell you that—Of
course this is only The First Hearing—The
results of mediation will be reviewed by a
higher court—”
Their horrible condition from a short blue
holiday on Uranus—Post everybody in The
Biologic Courts: Willy’s attorney served
“Count.”—He said in an interview pushing
through
and
still
for
it—Fade
out—Chambers—Green
People—remote
green contempt forms fixers and runners all
claiming the animal hosts they had—(The
Court Of Professional Brothers and Moves Of
Vegetable Centuries)—The petitioners and
plaintiffs their green sexless life screaming
through the halls remote mineral calm re-
ceived—in slate blue houses and catatonic
dances illustrating The Heavy Metal Kid re-
turned—Many have tattooed in diseases and
843/1780
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brought
suit
against
The
Audience
Chambers—
“They are giving me a short necessary pro-
cess”—Screaming crowds entered the cor-
ridors the audience and the patios—The feel-
ing and proclivities of connection with offi-
cials invaded with inexorable limestone and
cousins twice removed—Virus and drugs
plaintiff and defendant—Heavy Metal People
Of Uranus in a thousand languages live robes
that grow on them blue and hideous dis-
eases—The little hi-fi junk note shrieking for
compensation—Spine frozen on the nod col-
or flashes the heavy blue mist of bank
notes—The petitioners and plaintiffs scream-
ing through the halls wrapped in: “My God
what a mess”—Holding up insect claws re-
mote with ail understand I hope what ser-
vice—He appeared sometimes as whatever
remains—All understand I hope what pro-
clivities of the animal means that the mediat-
ing lie inexorable moves of Time—
844/1780
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TWILIGHT’S
LAST
GLEAMING
The Gods of Time-Money-Junk gather in a
heavy blue twilight drifting over bank floors
to buy con force an extension of their can-
celed permits—They stand before The Man
at The Typewriter—Calm and grey with in-
flexible authority he presents The Writ:
“Say only this should have been obvious
from Her Fourth Grade Junk Class—Say only
The Angel Profound Lord Of Death—Say I
have canceled your permisos through Time-
Money-Junk of the earth—Not knowing what
is and is not knowing I knew not. All your
junk out in apomorphine—All your time and
money out in word dust drifting smoke
streets—Dream street of body dissolves in
light . . .”
The Sick Junk God snatches The Writ:
“Put him
in
The
Ovens—Burn
his
845/1780
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writing”—He runs down a hospital corridor
for The Control Switch—“He won’t get far.” A
million police and partisans stand quivering
electric dogs—antennae light guns drawn—
“You called The Fuzz—You lousy fink—”
“They are your police speaking your lan-
guage—If you must speak you must answer
in your language—”
“Stop—Alto—Halt—” Flashed through all I
said a million silver bullets—The Junk God
falls—Grey dust of broom swept out by an
old junky in backward countries—
A heavy blue twilight drifting forward
snatches The Writ—Time-Money-Junk gath-
er to buy: “Put him in The Ovens—Burn his
writing—”
“Say only The Angel Profound Lord of
D—Runs down a hospital corridor—Your
bodies I have written—Your death called the
police—” The Junk
God
sick
from
“Stop—Alto—Halt—^The Junk God falls in a
heavy blue twilight drifting over the ready
846/1780
with drawn guns—Time-Money-Junk on all
your
languages—Yours—Must
answer
them—Your bodies—I have written your
death hail of silver bullets—So we are now
able to say not. Premature?? I think the aud-
itor’s mouth is stopped with his own—With
her grey glance faded silver understanding
out of date—Well I’d ask alterations but
there really isn’t time is there left by the tick-
et that exploded—Any case I have to move
along—Little time so I’ll say good night un-
der the uh circumstances—Now the Spanish
Flu would not be again at the window touch-
ing the wind in green neon—You under-
standing the room and she said: “Dear me
what a long way down”—Meet Café is
closed—if you wanted a cup of tea—burst of
young you understand—so many and
soo—The important thing is always courage
to let go—in the dark—Once again he
touched the window with his cool silver
glance out into the cold spring air a colorless
847/1780
question drifted down corridors of that
hospital—
“Thing Police keep all Board Room Re-
ports”—And we are not allowed to proffer
The Disaster Accounts—Wind hand caught
in the door—Explosive Bio-Advance Men out
of space to employ Electrician—In gasoline
crack of history—Last of the gallant her-
oes—“I’m you on tracks Mr. Bradly Mr.
Martin”—Couldn’t reach
flesh
in
his
switch—And zero time to the sick tracks—A
long time between suns I held the stale over-
coat—Sliding between light and shad-
ow—Muttering in the dogs of unfamiliar
score—Cross the wounded galaxies we inter-
sect—Poison of dead sun in your brain slowly
fading—Migrants of ape in gasoline crack of
history—Explosive bio-advance out of space
to neon—“I’m you, Wind Hand caught in the
door—” Couldn’t reach flesh—In sun I held
the stale overcoat—Dead Hand stretching the
848/1780
throat—Last to proffer the disaster account
on tracks—See Mr. Bradly Mr.—
And being blind may not refuse to hear:
“Mr. Bradly Mr. Martin, disaster to my blood
whom I created”—(The shallow water came
in with the tide and the Swedish River of
Gothenberg.)
PAY COLOR
“The Subliminal Kid” moved in and took
over bars cafés and jukeboxes of the world
cities and installed radio transmitters and
microphones in each bar so that the music
and talk of any bar could be heard in all his
bars and he had tape recorders in each bar
that played and recorded at arbitrary inter-
vals and his agents moved back and forth
with portable tape recorders and brought
back street sound and talk and music and
poured it into his recorder array so he set
849/1780
waves and eddies and tornadoes of sound
down all your streets and by the river of all
language—Word dust drifted streets of
broken music car horns and air ham-
mers—The Word broken pounded twisted
exploded in smoke—
Word Falling ///
He set up screens on the walls of his bars
opposite mirrors and took and projected at
arbitrary intervals shifted from one bar to
the other mixing Western Gangsters films of
all time and places with word and image of
the people in his cafés and on the streets his
agents with movie camera and telescope lens
poured images of the city back into his pro-
jector and camera array and nobody knew
whether he was in a Western movie in
Hongkong or The Aztec Empire in Ancient
Rome or Suburban America whether he was
a bandit a commuter or a chariot driver
whether he was firing a “real” gun or
850/1780
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