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TUGboat, Volume 32(2011),No.3
BookReviews
Bookreview: Bodoni,Manual of
Typography—Manuale tipografico(1818)
BorisVeytsman
GiambattistaBodoni,Manual of Typography—
Manualetipografico(1818). Stephan F¨ussel,editor.
Taschen, 2010. 1208pp. Hardcover,
US
$69.99.
ISBN
978-3-8365-0553-6
One of the aims of Unicode is to make possible
andrelativelystraightforwardtocreate,forexample,an
English text with quotes in German,Arabic, Hebrew,
and many other languages. Atypesetter understands,
however,thatitisnotenoughtohaveauniformdigital
representationof the“letters”: onealsoshouldhavea
font(orcollectionoffonts)withletterformsforallthese
scripts. Thereforeanimportanttaskforfontdesignersis
tocreatefontswithlargecollectionsofglyphsfordifferent
scripts. Onlywhenthisisdonecanwesaythatwecan
makemulti-languagebookswithtrulyharmoniousand
beautifulpages.
Onemaythinkthatthistaskbecamerelevantonly
in recenttimes. GiambattistaBodoni(1740–1813)isa
greatreminderthatthisimpressionisjustwrong.
Typophiles may remember Bodoni for his great
Latin fonts, which still are widely used today, or for
his influential editions of classics. However, another
aspectofBodoni’sheritagebecomesincreasinglymore
important in today’s interconnected world: his exten-
siveworkonnon-Latinscripts. Thesescriptsinterested
Bodonithroughout his career. Startingat theage of
eighteenBodoniworkedwiththeexoticadivisionofthe
TipografiaPoliglottaVaticanawherehisworkspanned
Arabic,Tibetanandmanyotherscripts.Later,inParma,
hepublishedacollectionofbridalpoemsin25Oriental
languageswith Latintranslations(1775). As amature
typographer, Bodoni published Oratio Dominica, the
Lord’sprayerin155languages(1806). Hepersonallycut
55,000matrices forhis multi-language books. Bodoni
strivedtocombinecalligraphictraditionsofthesescripts
withthebeautyandclarityofhissuperbtypography.
T
E
Xusersmaywanttotakealookat
GFS
Bodoni
fonts(http://www.ctan.org/pkg/gfsbodoni)withfull
supportforGreek,Latinandmath. Theyareincludedin
T
E
XLiveandMiKT
E
X,aswellasbeingavailabledirectly
from
CTAN
.
ThebookManualeTipograficoisamajorworkof
thegreattypographer. Hedidnotlivetoseeitprinted:
hiswidowMargheritaandhisforemanLuigiOrsicom-
pleted theedition andpublisheditfiveyears afterthe
master’sdeath.
The first volume of the manual contains a huge
collectionof samplesofLatin fonts: roman,italic and
cursive,withvariants,weights,sizes. Margheritawrote
in her prefacethat Bodoni considered it necessaryfor
goodtypographytocarryacollectionofmainfontslarge
enough sothedifference between theadjacent sizes is
noteasilyseenbyatrainedeye—afeatalmostunheard
ofbeforetheadventofdigitaltypography.
The second volumehas an extensivecollection of
GreekandCyrillicfonts,alongwithahugenumber of
otherscripts: Hebrew,Tibetan,Arabic,Armenian,Cop-
tic,Georgianandmany,manyothers(curiouslyenough,
blackletterisalsoconsideredtobean“exoticscript”and
putinthesecondvolumeas “Tedesco”,German—be-
tween“Malabarico”,Malayalam,and“Russo”,Russian).
Bodonihimselfinhisprefaceevidentlytakesaconsider-
ablepleasureinlistingthefonts,carefullyobservingthe
differencebetweenSquareHebrewandRabbinical He-
brew,andnotingthatinArabicwriting...theintricate
Sulsi letteris employedinfrontispiecesandbeginning,
the hanging Tajik isveryfashionable inPersia, while
Turks lovethereverseDivˆan. Theprefacealsocontains
importantmusingsbyBodoniaboutthefundamentalof
typographicart.
The bookalsoincludesmanypagesofastronomi-
cal,mathematicalandmedicalsymbols,decorativerules,
ornamentsandevenmusicalsheetsinseveralstyles.
Besidesbeingahugesourceofinvaluableinforma-
tion,thebookisapleasuretoread;justturningitspages
maymakeagreateveningforatypophile.
Sinceitspublicationin1818theManualebecamea
veryrarebook. In1965itwasreprintedin900numbered
copies,which,ofcourse,immediatelybecameaprized
raritythemselves. Thusanewmass marketeditionby
Taschen is avery welcome project. Awell preserved
copyfromStaatsbibliothekzuBerlinisreproducedhere
inallitsglory. Forthosereaderswhoarenotfluentin
Italianthebookcontainsabookletinapocketgluedto
theinsidecoverwiththetranslationofthetextsanda
veryinterestingpreface byStephanF¨ussel,director of
theInstituteoftheHistoryoftheBookattheJohannes
Gutenberg University of Mainz and the editor of the
publication(mostofthefactsaboutBodoni’sbiography
citedabovecanbefoundinthiseruditeandwell-written
foreword). Thebookis printed onagoodthickpaper
andiswellbound. Probablyinordertokeeptheprice
lowerthiseditioncontainsbothvolumesoftheoriginal
Manualeinonelargebook(albeitwithtwotassels).This
makesitratherheavy(aboutninepounds)andsomewhat
difficulttohandle. However,thebindingallows oneto
openthebookatanyplacewithoutmuchproblem.
This book is a must for afont specialist or aty-
pographer. Itsrelativelylowpriceandbeautymakeita
goodadditiontoalibraryofabooklover.
⋄ BorisVeytsman
ComputationalMaterialsScience
Center,MS6A2
GeorgeMasonUniversity
Fairfax,VA22030
USA
borisv(at)lkdotnet
http://borisv.lk.net